di carta (s'agita, 2003)
rocchetti/fhievel/sigurtà (creative sources, 2005)
characterizes his music? Possibly a great innocence.
If his electronic engineering studies helped his meeting with algorhytmic
composition, possibily they gave way to his estethic dualism. His constant
doubts concerning technology, the desire to bring back art to the state
of an unconditioned phenomenon, finally back in man's hands - and the
necessity for development contribute to a severe creation, pushed towards
a secure natural feeling.
As with some of early 1900 writers, to whom syntax had to be freed from
every constriction to be able to express thoughts and soul motions, even
in his musical compositions exact order looses its connotations morphing
into an uncaring confession. The immaterial and scarce emerges, landscapes
and images, colors depicted in sound and brought back in the inner feeling
sphere, analyzed by a subjective point of view, and stay abstract up until
musical punctuature may be glimpsed.